June 2010

Saturday, June 12, 2010

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-opening of 4 June 2010

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In my underground - underground video My

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Anna Kuznetsova and Alexey Gagin

Anna Kuznetsova

St Antoine Le Grand ", Moscow 2009
series of 9 photographs 38x58 cm, inkjet print on canvas

Alexey Gagin

"Everyone is the architect of his own happiness in St Petersburg 2009 -2010
Installation: metalwork + photography digitalis.
Height: 1m10

film and photographic work of Anna Kuznetsova proposes an exchange of undifferentiated bodies and faces in the spectral figure of the hermit. The artist invokes the figure of Saint Anthony the Great, about AD 270, decided to renounce the world, distributed his property, left his house to embrace the ascetic life. St Anthony sank into the desert, settled there in solitude the most comprehensive and well spent twenty years in retirement dryer where many pilgrims, attracted by his reputation came to him to try to meet him. The fascination felt at the sight of this picture of quitting exercise, beyond the grip of grief hieratic, a deletion of the topic.

Since 2009, Alexei Gagin , former captain of the Russian Army accompanied Anna Kuznetsova in a common creative approach.

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My Underground - Jérôme Bouchez

Jérôme Bouchez

"Nobody is perfect,"
Paris 2010, size: 10x7cm, be diverted,
letters in gold leaf on a young parishioner of the missal of 1842

work Jérôme Bouchez, who initially was very much related to photography when he worked with art dealer Harry Lunn has developed in multiple formats ranging from performance to video, editing the drawing object. The themes it addresses are still highly responsive to the societal, policy, minorities, religions, terrorism .. Etc. .. he launched bridges between these incongruous various "nodes" of our societies to reveal hidden facets and ambiguities meaningful. His work finds a connection with artists such as Mauricio Cattelan for the provocative side, Douglas Gordon for the formal side and front and Barbara Kruger to the ubiquitous nature of the abuse in its many works.

www.jerome-bouchez.com

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My Underground - Alton Mishino

Alton Mishino

"Code", installation, Paris 2010,
pigment, paper, metal and stone Alton
Mishino

The work continues the artist painter Alton Mishino been studying Chinese calligraphy and then studied at the Beaux Arts in Paris in the studio of monumental painting by Olivier Debre to last paintings, installations of combustion of wool Hemp pigment to let loose on the rolls of fax paper, it is always the question of the sign face material to the space in which it unfolds and the signifier, through an adversarial process, is very intuitive linking it to Ernesto Neto telque artists and systematic ways of working such as those governing painting by Christopher Wool.

http://www.mishino.com/

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In my subterranean Eliza Magri My

Eliza Magri

Metal 30x63x200 cm, Paris 2010
Eliza Magri

P water soul Incisions ... creations, on the thread I have a "say something"

Like a living organism, the same vein, the same blood stream, the same tissue of words

j'incise When the metal becomes a huge write expelled skin, signs of spring as breakthroughs Life

between inside and outside

empty and full

the concrete to the apparent

a world behind the world ... territories

http: / / www.elizamagri.com

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Underground - press release

In my underground

Записки из подполья is the title of a famous Dostoevsky's monologue. The story is known: an unnamed narrator - from his basement - is for the world and himself. Double uncertain of the author, it stirs up in one sentence infinite which raises and lowers, which elevates and destroys, a dizzying union of opposites.

The work translated into French as early as 1886 has seen a long line of titles more or less faithful, wobbling at the option of tastes and editorial changes: The voice underground, underground Spirit, My Underground Notes written in the basement , The basement until the most recent translation Notes from the basement . Vladimir Nabokov, meanwhile, proposed a radical " Souvenirs from beneath the floor" . All titles reflect the shelled elusiveness of Записки из подполья , this black hole, this object totally fantastical, typically Russian, remained intractable and without definitive incarnation in French. Faced with this lack of consistency, we chose to retain the title My underground thing here as a moment of crystallization, which brings together artists Russian and French artists in an enclave away from daylight imposed.

Project incisions took place in March 2010 in the heart of winter Moscow under the canopies filled the Fabrika factory appearance Soviet and still operational.

Gagin Russians Alexey and Anna Kuznetsova in the French company Jérôme Bouchez, Eliza Alton Mishino Magri and took their marks in the interior in charge of frost without landmarks or boundaries, integrating among activities of the working place.

the threshold of the Parisian summer, the event continues at The Random, begins its descent into a labyrinth secular proportions much tighter: an ancient underground standing near the river which empties the Bievre, a river as mysterious qu'occultée.

Trays Soviet industrial cathedrals supported by sturdy metal pillars had different perspectives of those of the apses of cavernous limestone depths of an old house that the passage of time has corroded. Where patterns can arise massively stretched in height and length, impose their scope of action, they are constraints here at the rally under the arch, in a dull and subdued atmosphere. The sounds also resonate differently. However, the same breath of the great outdoors can flush a small place. The notion of dimension capsized between the recesses and vanishes in the cavities.

The spirit of Basement is noticeable in these corners. Posterity the text that Dostoevsky did make interpretations that would reduce it to thank you. Yet Записки из подполья perpetuates its status as the light shining dark.

It is there, spread, dissolved infused, present and elusive. It is noticeable in in Magri Eliza carved with a tulle veil of steel slashed that draws its shadows and spiky rhythms decal. It is found in the place of long faxes, soiled remnants of obsolete office Alton Mishino. It shines in the dark silhouettes rendered in the scapular films Anna Kuznetsova: these spectra is a time that resurgence. One can recognize in these images embedded black ink reflected each other in the abyss into a silhouette lost when suddenly where affect the recrosses and transit.

He reach into moving images of Jerome Bouchez, in this mysterious Gear cell lights spinning smoothly in the slow rotation created by the mere fact, the white-blue-red based on blue red white and a challenging layout of dreamlike and haunting sweetness that offers all imaginable variations.

venture into a cave, is groping in the dark and experience the exhilaration of heights: vaulted skies, rarefied oxygen, echoes multiplied, tactile roughness contact the mineral rocky.

clad bodies that will come back to rub sometimes dusted, dusty, studded. Then came a kind of precipitate of the most random, gold or ash.

Stephen Moreaux

Friday, June 11, 2010

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My Underground - Exhibition from June 4 to June 26

For its second exhibition, the Gallery the Shuffle ory changes
universe and is adorned with soft lighting and video installations heterogeneous.
As part of the France-Russia exhibition
"In my sub-field project incising 3 " gathers five artists:

Jerome Bouchez
Alexey Gagin
Anna Kuznetsova
Eliza Magri Alton
Mishino

curator: Stephen Moreaux

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Yevgeny Antufyev "Lost Guards" on the net

Here are some information links, news articles on Yevgeny Antufyev.
Article on Paris Art written by Nicolas Villodre and sites with Russian Yevgeny Antufyev and his works:

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Randomness Gallery - Opening May 4, 2010 - Yevgeny Antufyev "Objects protectors" Yevgeny

Opening Yevgeny Antufyev in video

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Antufyev "Lost Guards" invitations

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Yevgeny Antufyev "Lost Guards" Oh

Yevgeny Antufyev young artist from Siberia, Kandinsky Prize 2009, exhibited for the first time in France. "Protective Objects", an exhibition of fabrics, embroideries and facilities that we speak of uterine earth, the lost link between man and nature.

"We must compare the heart to a place where light does not shine forever, and to hide even more than the most intimate parts of the body. Because the real shame lies in the heart, and if you open it, everyone will laugh at him, "Ilia Massodov.

Antufyev Evgeny was born in Tuva, Buddhist and shamanistic republic in southern Siberia. An isolated area and surrounded by mountains and borders closed only two roads connect to Russia. Tuva, the perfect image of the earth womb, where they can "sleep in the dark like an embryo." Steeped in this metaphysical space complex, the artist has built his own system of its relationship with the world.

objects Yevgeny Antufyev protectors are cocoons, "beings" rags created to protect the outside world. The fabrics worn, old scraps of clothing still "occupied" by their former owners become dolls in strange, embryos of a small nation of zoomorphic or anthropomorphic beings, whose expressions sometimes terrifying seek only to eliminate fear.

Its facilities, "mandala" of miscellaneous objects, assemble small "treasures" of children, flowers, insects, ends of bones, skulls of wild animals, teeth.

The object becomes physical memory of a place, a moment. He ordered order to recreate harmony and balance.

"I feel," he said, that if you put all the objects in the right place, then it must something to happen ... then everything goes back in the correct order, in life, everywhere ... you just choose the right items and place. "

Objects" invested "in which Yevgeny Antufyev creates a sacred circle combining his family and his land, a return path lost to the matrix, the ideal world, where fear does not exist.

Yevgeny Antufyev "Lost Guards"
May 4 to May 29, 2010
the Gallery Random

Thursday, June 10, 2010

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a gallery!

May 4, 2010 the Gallery Random , awakens and opens at No. 29 in a small street leading to the Seine, the Rue de Bievre. The tiger in the eyes of pearl watch wisely awaiting the start of the festivities. For its inauguration Random welcomes the young artist Siberian Yevgeny Antufyev and "Lost Guards" .